I work across two sides that usually stay apart: I build the AI — the products,
pipelines and tools — and I use it to make the work, from a single image to a full
film. Living on both sides is the point; each one keeps sharpening the other.
The practice is rooted in the United Arab Emirates — its light, its pace, its ambition
— and in one belief: AI is a new material, not a shortcut. The craft is in the taste
and the restraint, not the button.
Whether it is a tool for a creative team or a single frame, the aim is the same:
make something considered, useful and unmistakably its own.
More on the craft: AI Filmmaking in the UAE — field notes
· One of these reads ٢٠٢٦ as a year
· The Arabic fix that now breaks Arabic
· Your Arabic PDF is fine, what reads it is not.
Work & evidence — research, software and creative projects.