An imagined desert landscape with a lone figure and distant skyline — generative artwork by Syamjith NK

Independent AI researcher & developer

Intelligence.With imagination.

Arabic language research, practical AI tools
and a cinematic eye. Based in Abu Dhabi.

Explore the work

Syamjith NK

Research · Code · Creative directionAbu Dhabi, UAE   /   2026
Generative artwork · Syamjith NK

01 / Research & development

Curiosity, made
testable.

I work on Arabic language technology and video evaluation. These projects document the methods, results and limits behind the work.

New research · Public preprint

Same number. Different script?

I led a controlled evaluation of five OCR-capable models across 7,000 synthetic numeral trials, with AI assistance. The study separates numeric correctness from numeral-script preservation.

Not peer reviewed. Statistical calibration limits the claims; these are not production error rates.

OCR / Numeral fidelity ٢٠٢٦2026 Same value. A different script.Illustrative numeral pair

Arabic speech evaluation

ArNum-TTS

Testing whether numeral values survive Arabic speech synthesis across different written forms.

My work: benchmark design, evaluation and scoring tools.

Evidence: test sentences, stored transcripts and a correction history. Scores use automatic transcription and a number parser; they are not human listening accuracy.

Arabic text tooling

arabic-lint

A Python tool for finding stored presentation forms and selected source patterns that can damage Arabic text.

My work: investigation, tool development and documented findings.

Evidence: public source and audit records. Findings need context; they do not prove which processing step produced the text or cover every Arabic error.

Generative-video evaluation

shotdrift

Measuring camera motion in video and checking it against the direction requested.

My work: measurement tooling and calibration.

Evidence: public code, reports and documented calibration. It measures selected motion properties, not overall visual quality or every generation defect.

All research → · GitHub →

02 / Selected visual work

A sense of place.
A point of view.

Desert light. Quiet gestures. Places between memory and imagination. Three ways into a body of original generative work.

Independent studies · 2026
Concept, visual direction & image-making: Syamjith NK

The direction behind
the images.

A quality of light, a restrained palette, a sense of scale. These are the choices that connect the work, from the smallest gesture to an open landscape. Each image is composed, selected and sequenced with that visual language in mind.

These are original AI-generated studies, not documentary photographs or client commissions. The people and scenes are imagined. Open a work to see the full composition and a note on the image.

Beyond the frame

The image. The tool.
The questions behind it.

The same attention to detail carries into the systems I build and the research I publish.

Creative tool

Direct a Frame

A small experiment in shared authorship. You bring a feeling, place or moment; the tool interprets it through a consistent visual direction. When live generation is unavailable, it shows a clearly labelled work from the archive.

My role: concept, visual direction & development

Applied research

When Arabic meets AI

What happens to Arabic text when a tool renders it, reads a PDF or speaks a number? Published experiments, datasets and open tools make those failures visible, with methods and limitations alongside the findings.

My role: investigation, evaluation & tool-building

Areas of practice

Research, software and creative practice.

A personal portfolio of technical and creative work. Explore the questions, tools and visual studies behind the projects.

01

Film and moving image

Films made with AI from end to end - concept, shot list, generated coverage, edit, grade and sound. Directed like a shoot, so character, light and continuity hold across every shot instead of drifting clip to clip.

02

Stills and campaign imagery

Hero images and visual studies built around a shared palette, composition and quality of light. A considered set for a campaign, a pitch or a world that needs to be seen before it exists.

03

Finishing, VFX and relighting

Matting and roto, background replacement, relighting, clean-up and compositing. The finish is judged against the shot: believable light, consistent edges and a subject that belongs in the frame.

04

AI products, built and shipped

Web and native apps with generation, accounts, billing and storage built in - carried from idea to something people actually use, live on the App Store and on the web, not a prototype that stops at the demo.

05

Agents and production automation

Systems that do the work rather than demonstrate it: agents that plan a job, run the pipeline, notice what broke and report back - wired into the tools a team already works in.

06

Private models and pipelines

Custom workflows and model adaptation for a team's own visual material. Deployment, data handling and hardware requirements are designed around the project's needs.

Based in Abu Dhabi, United Arab Emirates - contact me about my research.

Direct a Frame

Direct a shot through my lens.

Name a feeling, a place, a moment. Explore how your direction meets my visual language. If live generation is unavailable, a labelled archive work takes its place.

□

Your frame appears here — graded and framed like a shot from the archive.

An interactive image study · guided by Syamjith NK’s visual direction.

The Opening Frames

Framed by my own hand.

A few frames from my own archive to open the wall — direct one above and yours takes its place among them.

Approach

“I want the technology to disappear — so what’s left is the idea, and how it makes you feel.”

I work across two sides that usually stay apart: I build the AI — the products, pipelines and tools — and I use it to make the work, from a single image to a full film. Living on both sides is the point; each one keeps sharpening the other.

The practice is rooted in the United Arab Emirates — its light, its pace, its ambition — and in one belief: AI is a new material, not a shortcut. The craft is in the taste and the restraint, not the button.

Whether it is a tool for a creative team or a single frame, the aim is the same: make something considered, useful and unmistakably its own.

More on the craft: AI Filmmaking in the UAE — field notes · One of these reads ٢٠٢٦ as a year · The Arabic fix that now breaks Arabic · Your Arabic PDF is fine, what reads it is not.

Work & evidence — research, software and creative projects.

A conversation starts here

Something
on your mind?

Questions about a study, a tool or a creative project shown here?
This is my personal portfolio. I welcome discussion and feedback on the work.